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Research: The Guarded Excitement of Discovery

Research: The Guarded Excitement of Discovery

Working in both the sciences and the performing arts brings about a challenge not often appreciated – the dichotomy of how you conduct and present your work in these two areas. There are two distinct cultures that need to be understood. In the simplest terms, in science you understate your work, whereas in the performing arts you overstate it.

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Exploring Neuromuscular Changes in the Larynx: Insights from Rat Ultrasonic Vocalizations

Exploring Neuromuscular Changes in the Larynx: Insights from Rat Ultrasonic Vocalizations

The study of rat ultrasonic vocalizations (USVs) provides a unique window into understanding the neuromuscular changes in the human larynx that occur with aging. Rats communicate with each other using USVs to convey positive and negative affective states in a variety of communication situations, such as juvenile play, mating, and alerting one another to threats (Brudzynski, 2013).

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Anatomy of a Spectrogram

Anatomy of a Spectrogram

This video provides a brief explanation of how spectrograms are constructed as a collection of individual spectra from consecutive points in time across a speech waveform. The difference between “narrow-band” and “wide-band” spectrograms is also explained based on choice analysis window duration. Three-dimensional animations of waveforms, spectra, and spectrograms are used throughout the video to demonstrate spectrographic representations of sound.

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What is Airflow Vibrato?

What is Airflow Vibrato?

Vocal vibrato has a number of manifestations. Typically vibrato is first thought of as a variation in fundamental frequency (fo), and secondarily as a variation in intensity and sound quality. Other variations that accompany these three types of vibrato include movement of throat structures (changes in larynx height, alterations in arytenoid adduction, pharyngeal wall movement, tongue movement, etc.), and especially muscle contraction variations that accompany all mentioned vibrato types.

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Phonation Threshold Pressure in Inspiratory vs. Expiratory Phonation

Phonation Threshold Pressure in Inspiratory vs. Expiratory Phonation

Inspiratory or reverse phonation refers to the production of voice when air is inhaled from the mouth and nostrils into the lungs. This way of phonation occurs naturally during laughter, sighs, and crying [1]. It has also been used to achieve special vocal effects by singers, shamans, and ventriloquists, and is common in the vocalizations of other mammals and birds. Furthermore, it is a useful treatment exercise in voice therapy for several voice disorders [2]. However, despite its relevance, few physical studies of inspiratory phonation have been conducted, and its underlying physics still needs further clarification.

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The Impact of Visual and Audiovisual Inputs on Voice Perception and Production: Exploring the Role of Immersive Virtual Reality in Clinical Practice

The Impact of Visual and Audiovisual Inputs on Voice Perception and Production: Exploring the Role of Immersive Virtual Reality in Clinical Practice

Sensory feedback is crucial for regulating pitch, loudness and other aspects of voice and speech perception and production. (1) Auditory input is traditionally considered the primary signal in speech communication. One of many examples leading to this reasonable conclusion are studies showing that deaf infants exhibit delayed articulatory precision in babbling and phonological deficits during puberty.

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Vocal Function and Range

Vocal Function and Range

We can make many different sounds with our voices, communicating not only with what is said, but also in which context it is said, and who is saying it. This large variability makes the voice a rich channel for communication, but it also presents us with challenges when we try to assess the status of a voice using quantitative measurements, rather than by listening.

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The Importance of Vocal Self-Regulation

The Importance of Vocal Self-Regulation

he human voice is extremely flexible and adjustments of quality, frequency, and intensity serve to signal various moods, emotions, and intentions. These modifications occur automatically in daily life, but can also be implemented in a developed, controlled, and consciously applied way, in spoken and sung artistic expression. The vocal output depends on a series of anatomical, physiological, and neurological factors, however, there is a crucial participation of the emotional component that impacts the vocal output.

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The underappreciated role of vocal fold medial surface thickness in vocal control

The underappreciated role of vocal fold medial surface thickness in vocal control

Clinicians and singers are used to viewing vocal fold vibration from a superior endoscopic view. However, both vocal fold vibration and vocal control are three-dimensional. Although it is hidden from the superior view, the vocal fold medial surface shape in the vertical dimension plays an important part in determining both the vibratory pattern as viewed from above and the produced voice. 

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The Use of Oscillatory Positive Expiratory Pressure Devices for Voice Therapy

The Use of Oscillatory Positive Expiratory Pressure Devices for Voice Therapy

Over the last three years, a variety of oscillatory positive expiratory pressure (OPEP) devices have been commonly used by voice therapist and trainers (e.g. Acapella Choice, Shaker Deluxe, Shaker Medic Plus, New Shaker), even if they were not originally created for voice-treatment purposes. OPEP are intended to be used by physiotherapists to mobilize secretions from the lower airway when treating excessive sputum or secretion retention.

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